The Famous Mardi Gras Girl Enjoyed Her Man Again
| Mardi Gras | |
| | |
| Date Aired | September 23, 2018 |
| Running Time | 21:39 |
| Previous review | The Mummers' Dance |
| Next review | Girls Like You lot |
| Website | https://www.youtube.com/watch?v=qQcnxTWGhwM |
Todd: Ahem. Okay, here'south a joke: What's the concluding matter a drummer says in a ring?[dorky voice] "Hey guys, why don't we endeavour one of my songs?"
Audio for Creedence Clearwater Revival - "Fortunate Son" plays over live performance
Todd (VO): If in that location's any stone ring in history y'all tin can fairly claim to be called "timeless", information technology'southward Creedence Clearwater Revival. Their songs really do audio similar they've always existed.
Live functioning of "Proud Mary"
Creedence Clearwater Revival: Rollin', rollin'
Todd (VO): In fact, that'south what made them so popular. Even during the upheaval and chaos of the '60s, Creedence was the band for everybody, even if y'all were a hippie or a redneck.[prune of alive performance of "Bad Moon Rising"] And because of their timelessness and down-to-earth image, information technology's hard to think of them every bit whatever kind of pop idols, simply they were extremely pop. When the Beatles bankrupt upwards in 1970, that left Creedence equally probably the biggest band in the globe.
Todd: And their music was so adept!
Clip of "Built-in on the Bayou"
Todd (VO): At that place are only a handful of bands with as many classic tracks as CCR. And the amazing thing is that they did it in only 2 and a one-half years.
Todd: Just two and a half!
Todd (VO): Even a lot of the greats were around for, like, fifteen earlier they accomplished that much. [quick shots of covers for...] Just the six albums Creedence fabricated betwixt 1968 and 1970 were all boom successes and produced some of the greatest songs in rock history.
Todd: But we're not here today to talk about those six albums. We're gonna talk about the seventh.
Clip of live performance of "I Put a Spell on You"
Todd (VO): In 1970, Creedence may accept been the biggest ring in the world at present that the Beatles were gone, simply Creedence were secretly in the aforementioned position as the Beatles, completely dysfunctional and on the verge of full collapse.
Todd: But they kept soldierin' on. They [single encompass for "Proceed On Chooglin'"] kept on chooglin'. And how did they proceed going? Well, imagine it like this.
Footage of The Beatles performing "Don't Permit Me Down" on rooftop
Todd (VO): What if the Beatles had not cleaved up and instead had chosen to record one more album. And they decided that the but way they could keep the ring together and brand it happen is if they made [prototype of frowning...] Ringo do all the work. And Ringo doesn't get a selection.[clip of "Sweet Hitch Hiker"] That's pretty close to what CCR did. The bulk of the album was given to its least talented members, and the event was 1972'south Mardi Gras, a completely anticipated disaster. Rolling Rock called information technology the worst anthology they'd ever heard from a major band. CCR itself would just last a few more months before breaking up.
Todd: But was it really that bad? Let's notice out. This is Trainwreckords.
Trainwreckords intro, followed by album cover forMardi Gras
Todd: Okay, I want to exist clear: The drummer did non write all the songs on CCR'due south last album.
Footage of CCR backstage; "Downwards On The Corner" plays in the background
Todd (VO): The plan was to take all the members exercise an equal share of the piece of work, then...
Todd: ...information technology's not every bit bad as the Ringo analogy I said earlier. But in a style...
Prune of The Beatles - "Deed Naturally"
Todd (VO): ...it's likewise much worse than the Ringo idea, 'cause people liked Ringo. Ringo had a personality, people knew who he was. [CCR backstage footage continues] People didn't have a inkling who the other guys in the band were.
Todd: They barely knew the main guy in the band!
Clip of '60s interview with John Fogerty...
Todd (VO): Like, what'southward his proper noun? I got a immature viewership, so a behemothic chunk of yous don't even know. And before those of yous who...
Todd: ...do know leap downward the immature'united nations's throats, let me inquire you: Who are the other guys in the band?
...and Stu Cook
Todd (VO): Who's this guy? What musical instrument does he play? 95% of you failed that question. Probably more.
Todd: Like, I'm a classic rock guy myself, and I knew then fiddling about them that [holds up volume in each manus] I had to go, like, buy books and read them and shit. Ugh.
Prune of another live performance
Todd (VO): But here's what you need to know. Earlier 1971, Creedence had one singer and one songwriter. That's John Fogerty. He wrote and sang all the songs; he too played pb guitar; did most of his own fill-in singing, he produced, he was their business concern manager, he controlled literally everything.[footage of other ring members...] The other iii are John's brother, Tom on rhythm guitar, Stu Cook on bass, and Doug Clifford on drums.
Todd: And unless y'all were a superfan, you lot wouldn't know [image of band featuring Tom, Doug, and Stu] any of those three guys.
Todd (VO): Like, one of the odd things about Creedence was that they were the biggest rock band in America, but they weren't rock stars. They wore flannel shirts and kept out of the news. Reporters would bear witness upwardly to interview them and not even know which ane was John Fogerty. And if the lead vocaliser's not getting any attention, you can imagine how little the fucking bass thespian gets.
Prune of Stu Melt riding in a limo with the band
Stu Melt: Someone said to me..."Should I get his or not? Is he just here to run into them, or is he one of them?"
Someone in the band laughs offscreen
Then...I gauge the rest of the band started getting butthurt near it, and...
Todd: ...that's where the trouble starts.
Todd (VO): I tin can't tell you exactly what happened next. The details are hazy because the band members all hated each other and still do to this day, so there'southward a real Rashomon thing going on. I've done a few reviews of bands in meltdown mode, just...
Todd: ...those at least seemed like an honest clash of personalities. In this case...
Prune of VH1: Behind the Music interview with CCR
Todd (VO): ...one of the two sides is absolutely lying. Or maybe they're both lying, but they're not both telling the truth.
Todd: But here's my closest understanding of what went downward.
Todd (VO): At some bespeak in 1970, the other 3 guys called together a "big group meeting" [clip of Jersey Shore with caption: RE-ENACTMENT] where Tom and Doug and Stu met with Fogerty and demanded more power and more than creative command. More than contributions.
John Fogerty: You know, "I want to sing! I want to write songs! I wanna...play more, or something. My-my matter should exist louder on the record."
Todd: John Fogerty calls it, "The Dark of the Generals."[still shot of military sergeant shouting] He ways that all the soldiers in their little unit wanted to exist in accuse. It'southward as well a reference to a movie virtually [movie poster for The Night of The Generals] Nazi generals at the end of the state of war, when everything'south falling apart, so...uh, yeah, that should tell you what John thought of the rest of the ring.
Clip of Downfall with subtitles
Adolf Hitler: I want more bass solos on the albums!
Another clip of VH1: Behind the Music
John: They had to hear John give up the reigns. We will at present exist a democracy. Four guys, four votes.
Todd (VO): A short time after, Tom quit the band anyway, and then now they were only three. Some time after that, John Fogerty came up with the thought to separate the work equally. Write your own songs, sing them, fifty-fifty produce them yourself.
Todd: Here's what Doug and Stu say John told them at the time. [image of John Fogerty looking...] "Guys, I'm burnt equally hell. I'm tired. You're gonna have to step in and assist me out." Here's how they describe it now. [shaking prototype of John performing] "FINE! YOU WANT MORE INPUT? WHY DON'T YOU WRITE THE SONGS?!" And here's how Fogerty describes them. [brief clip of Infant Herman crying from Roger Rabbit] "Wahhhhhh! Wahhh! I wanna write songs! Wahhhhhh!" I don't know what the real story is.
Clip of VH1: Behind the Music; "I Heard It Through the Grapevine" plays in the background
Todd (VO): Fogerty says he was trying to make everyone happy; Doug and Stu say it was an ultimatum.
Stu: He told each of us to write and sing a 3rd of the album, or he was gonna quit.
Whatsoever they originally demanded, I become the feeling Doug and Stu did not think they'd exist expected to behave such a heavy load and then quickly.
Todd: Just also, that they convinced themselves that it was doable. I mean...
Todd (VO): ...they're on all those songs, too. They're part of the band, they're just as good.
Todd: It's gonna work out!
Todd (VO): They went into the studio in 1971 to pump out yet another hit. As they did, CCR was a damn hit factory; no reason to stop at present. And Fogerty wrote them their next single.[single comprehend for...] That single is "Sugariness Hitch Hiker".
Video for "Sweet Hitch Hiker" starts
Oh aye, this one's a barn-burner. Information technology's a song about finding some hot mama hitchhiking on the side of the route, and uh...[pause] yeah it'southward got some power behind it. CCR were a laid-back band but...
Todd: ...when they wanted, they could absolutely tear it upwards.
John: Saw a slight lark standin' by the road
Todd (VO): That's what they're doing hither.
Todd: Aye. Yeah, they're killing information technology.
John: Sweetness hitch-a-hiker
We could brand music at the Greasy Rex
Sugariness hitch-a-hiker
Won't you ride on my fast auto?
Todd: [beat] Yeah, this song is crap.
John: Sweet hitch-a-hiker
Todd (VO): I really had a really strong negative reaction to this. I did not like this at all.
Todd: I don't wanna hear CCR sing almost chicks, man.
Video for Creedence Clearwater Revival - "Have You lot Ever Seen the Rain?"
Todd (VO): Creedence was a soulful band about serious things, about hard living and tough times, growing up at the lesser, life on the road. Todd: They didn't write meathead songs virtually girls. And I know what you lot're thinking: "What virtually 'Long, Absurd Woman In A Black Wearing apparel'?"
Clip of The Hollies - "Long, Absurd Woman In A Black Dress"
Allan Clarke: She was a long absurd woman in a blackness dress
Todd (VO): That song'due south pretty good, right? Yeah, well, that's not actually them. That's The Hollies. In the early 70'southward, Creedence wasn't even the all-time version of Creedence anymore.
Todd: But, I digress.
Clip of "Sweet Hitch Hiker"
John: Cruisin' on through the junction
Todd (VO): But, aye, this is bad. What information technology generally reminds me of is that there were a lot of guys that became hippies who...weren't really rebelling against anything; they simply [paradigm of hippie giving the peace sign] wanted grass 'northward' donkey. Todd: So here, we got this dude-bro fantasy most picking up some random hot chick, and she sucks your dick.
Clip of Jay and Silent Bob Strike Back
Hitchhiker (George Carlin): The unwritten volume of the road.
Cut to hitchhiker giving truck driver route head and driving off
Todd (VO): Yes, like that...ish.
Todd: It just doesn't sound Creedence. It [image of Grand Funk concert affiche] sounds like all the shitty, boogie-blues, butt-rock that came after them.
Prune of "Sweet Hitch Hiker"
Todd (VO): W-where the hell did this come from? Well, I'll tell you this: It made more sense when I plant out that...
Todd: ...Fogerty was going through a divorce at the fourth dimension.
Todd (VO): Y'know, yous've been a husband a long time. At present he's famous and he's a free human being. Probably feeling himself. Unmarried, ready to mingle. Set to score some activeness.
Todd: Yep, he was simply 26 at the time, just if y'all imagine him in a bar in a [image of guys wearing...] centre-age sport coat and a balding ponytail, the song makes a lot more than sense.
John: Exercise you want to, she was thinkin' tin can it last
Todd (VO): For the tape, Fogerty does not get his dick sucked in this song. He'due south so busy drooling, he crashes into a ditch and the hot chick blows by him laughing. So...
Todd: ...y'know, see, it-it'south funny. It's okay...I judge. I don't know, I can't make out a word he'south singing anyway.
John: Could brand music at the Greasy King (won't ya ?? my ?? ?????)
Todd: But the test of fourth dimension says I'chiliad right.
Todd (VO): Fogerty doesn't perform it anymore and no one ever plays information technology. Fogerty barely even mentions information technology in his book. Eh, whatever, information technology's not that bad. That span is pretty awesome. The ring was still hot shit, then they went correct into the Top 10 again.
Todd: Merely, whatsoever. The-the true test of this experiment was not gonna be Fogerty's songs.[single cover for "Sweet Hitch Hiker" and...] Permit's bank check out the B-side, the kickoff Creedence song not written by John. Stu, the bassist wrote this one. Information technology's called "Door to Door."
Audio for "Door to Door" plays over live performance
Stu: Observe me out a-walkin', time the whistle starts a-callin',
Maybe stoppin' early, knockin' at your door
Have so long to answer, lord knows information technology own't the milkman
Could be stoppin' early, sellin' door to door
Todd: Well...this sounds similar ass.
Todd (VO): And Stu can't sing at all. At to the lowest degree, I don't call back he tin can, I tin can't tell backside all that reverb. Lyrically...
Todd: ...it'south near...being a door-to-door salesman.
Clip of different performance of "Proud Mary"
Todd (VO): I guess that'southward not too different from life on a riverboat, so, uh, yeah, it'due south just similar "Proud Mary."
Todd: If "Proud Mary" was a joke vocal by a guy who can't sing.
Clip of "Door to Door"
Stu: Here'southward my latest sample; similar to show you how to employ it
First, you pull the curtain while I spread some here
This stuff'll get the stain out if you use it loosely wadded
This here'll take the pain out and won't mess your hair
Todd (VO): I think this was supposed to be an innuendo, and and so he simply forgot what he was doing.
Todd: Similar, okay, I take to believe that Doug and Stu were telling the truth. They didn't want this. They never demanded it.
Todd (VO): Considering if they demanded to write songs, and all they had was a novelty about selling stain remover...
Todd: [stutters] Information technology rhymes "door" with "door!"
Todd (VO): In any case, the full anthology came out in 1972. And that lonely was a large tell that...this didn't go well, because that was two years since their last album. CCR commonly pumped out records every six months.
Clip of another interview with John Fogerty
John: I mean, every three months, in that location was a Creedence unmarried.
Interviewer: Yes, yep.
John: But, uh...that was too professional. So we decided to expect twelve months.
Todd: But you know, they're trying out some new shit. Maybe that'south to exist expected.[anthology cover for...] It was chosen [Todd zooms in on album title] "Mardi Gras". 'Cause it'due south a political party album![epitome of Mardi Gras booze cruise] Y'know, Mardi Gras!Woo!
Todd (VO): Well, let's mind to the album proper. Let's kicking this shit off.
Todd: I mean, Creedence albums always start with a bang. [brief montage clips of...] "Green River," "Ramble Tamble," "Downward On The Corner," "Born On The Bayou." Always leading off strong, those albums. And hither'southward the opener John wrote for this one, "Lookin' For A Reason."
Audio for "Lookin' For A Reason" plays over live footage
John: I'm lookin' for a reason to stay
Todd is speechless and conspicuously confused by what he'southward hearing
I'm all wound up and tied in knots today
Todd tries to dance along to the song
The morning comes, I'll be on my way
Todd: [uhh...] Woo?
Todd (VO): So, uh, it's uh...it's a country vocal. Interesting mode to commencement. I estimate Creedence was never far from country, but...they were still always a rock band. They had muscle, and...this is simply kinda sickly and sad.
Todd: But I do notice that, um...yeah, this is extremely about the band breaking up.
John: I used to like it here, I can't remember why
Todd: Yeah, that's...yeah, that'due south not hard to figure out what'south going on here.
Clip of "Have Yous Always Seen The Rain?"
Todd (VO): Hey, true story, but their final big hit before the album, "Accept You Ever Seen The Rain?". That was also well-nigh them breaking upwards.
John: Take yous e'er seen the rain
Comin' downwardly on a sunny day?
Run into, the sunny day is all their success, and the pelting is the band dysfunction that was tearing them apart.
Todd: Simply I'd have never guessed. I mean, information technology'south poetic, information technology's universal.
Video for "Lookin' For A Reason"
Todd (VO): I heed to this and, uhh...yeah, no song has always been about just one thing more this i.
Todd: "Because I Got High" is more than open to interpretation than this.
Prune of Afroman - "Considering I Got High"
Afroman: 'Cause I got high
Because I got high
Because I got high
Todd: Perchance it's nearly being high on life.
Prune of...
Todd (VO): Anyway, second vocal, another one from Stu, "Accept Information technology Like A Friend."
Stu: Maybe you'd movement over
Gave someone else a chance
Todd: [taken ashamed] Nope! Nope, nope, nope, big ol' nope.
Stu: Idea you had the honor
Clips of people getting buzzed on America'southward Got Talent and The Gong Show
Todd: Oh my God.
Todd (VO): I thought he was bad on the last one, but I had no idea.
Todd: Now I know why he needed all that reverb! In fact, can we slap some reverb on this one, also?
Snippet of Stu singing with reverb all the style up
Stu: Seemed and then long when we began
Hope you accept it like a friend
Todd: That'due south way better, Jesus Christ. [exhales] No, hold on, play information technology normally.
Stu: Maybe y'all'd move over
Gave someone else a take a chance
Forgot about the others
We moved out towards the light showin' empty hands
Todd: Yes, Stu is but shit-talkin' John correct to his confront.
Stu: Seemed then long when we began
Hope you take it like a friend
Todd (VO): And surprise, John did not take it like a friend. He refused to assistance at all. He barely even played guitar on any of the other guys' songs.
Todd: Kind of a dick motion, but...
Todd (VO): ...I wouldn't wanna help write a song about what an asshole I am, either.[clip of VH1 interview] And how tin can Stu claim now that John forced them to write songs, when he's clearly lament that John should let them write songs?!
Clip of Doug Clifford performing "Tearin' Up The Country"
Doug Clifford: Playing a pavilion on the outskirts of town
Todd (VO): Doug, the drummer, has two songs after that.
Todd: [pause] They're fine. They're okay.
Doug: Tearing upwards the land with a song
Tearing upward the country with a vocal
Todd: Actually, they're probably less than mediocre, but having heard Stu'southward songs, I'm inclined to be generous.
Doug: I paid no attention, left my books at habitation
Rather play my music existent loud
Todd: Doug, obviously, still isn't [clip of alive performance of "Travelin' Band"] as skilful a vocalist as John. John could fuckin' holler.
Todd (VO): Doug is merely soft, he sounds like your grandad.
Todd: Simply at least he's better than Stu.
Audio for "Sail Abroad" plays over previous clip of Stu performing
Stu: Lock the door...
Todd (VO): By the way, Stu'southward third vocal in hither's chosen, "Sail Abroad." It'due south most existence a sailor. More often than not and then he can shit-talk... Todd: [air quote]..."the captain."
Stu: The captain of the ocean
Shoutin' orders to his crew
Todd: Guess who that is?[image of John with crewman hat covering his face; sarcastically] Who could he be talking nearly?
Todd (VO): Fitting that this is about sailors, 'crusade Stu is incredibly salty. An album near your own band chaos seems similar it should be more entertainingly messy, merely...[live operation of Fleetwood Mac - "Become Your Ain Fashion"] only Fleetwood Mac could pull that off because they had three songwriters. CCR had one.
Todd: Oh, and there's a cover vocal on here. Not bad, a encompass! At present, no one has to write anything.
Alive performance of Creedence Clearwater Revival - "Suzie Q"
Todd (VO): And CCR were a great covers band. Some of their biggest hits were covers: "Suzie Q", "Midnight Special." This one'due south a embrace of Ricky Nelson's "Hello, Mary Lou."
Clip of Creedence Clearwater Revival - "Hi, Mary Lou"
John: Hello Mary Lou, cheerio centre
Sweet Mary Lou, I'm so in love with you
I knew Mary Lou
Todd: [hangs his head] Okay, play-play them back-to-back.
Intercut clips of both versions of "Hello, Mary Lou"
Ricky Nelson: Hi Mary Lou, goodbye heart
John: Sweetness Mary Lou, I'm and so in love with you
Ricky: I knew Mary Lou...
John: ...nosotros'd never part
And then, howdy Mary Lou
Todd: It's the aforementioned fucking song. They've added zero.
Video for "Anytime Never Comes"
Todd (VO): At that place is one brilliant spot. At the finish of Side A, there is 1 swell goddamn song.
Todd: "Someday Never Comes."
John: First thing I remember was request papa, why
For in that location...
Todd (VO): It is then much better than the remainder of the album, it's fuckin' ridiculous. Yep, this one is nigh John'due south parents' divorce and John's useless deadbeat dad.
Todd: Considering that he was going through his own divorce, you could see why it was on his mind.
John: And I'm here to tell you at present, each and every mother's son
You better learn it fast, you better learn it young
'Cause someday never comes
Todd (VO): He ended up non getting divorced, for the record; he stayed with his wife another ten, fifteen years. And I think his own song convinced him.
Todd: It's the standout runway on the album by far.
John: Ooo anytime never comes
Todd (VO): Mmmm, that'due south skillful stuff. Although, honestly, I would've maybe given it one more pass through before recording it.
Todd: It does experience like maybe it's a little besides fast, or the chorus should exist louder.
Live functioning of...
Todd (VO): It reminds me a lot of "Tuesday's Gone" by Lynyrd Skynyrd, which came out the year subsequently, and...which I prefer honestly. Information technology soars a lot college.
Todd: I did wonder if that was merely me being the nasty critic, yous know, gotta find something to mutter about. Simply for what it'southward worth, [another prune of VH1 interview] Fogerty says the same thing. He also wishes he'd spent a little more time on it. But he hated the other guys and then much at that point, he merely wanted to become it washed.
Todd (VO): And just wanting to get it done is the entire impression that I get from this album. Information technology took 'em four times equally long as usual to get done, and it still merely [shot of Wikipedia article for Mardi Gras with anthology length circled: 28:04] clocks in at under half an hr. I've had [prototype of...] sandwiches that took me longer to finish than this record!
Todd: By the '70s, bands were trying to give you your total money's worth on an LP. 20-eight minutes is a length that says that they just wanted to shit something out and call information technology a day.
Todd (VO): And one of the things that Creedence'south critics used to give them shit for is being a singles ring instead of an album band. You know...
Todd: ..."Oh, they just be to get radio hits. They're basically [promo picture of...] Maroon 5."
Clip of CCR performing "Lookin' Out My Dorsum Door"
Todd (VO): And people had that thought considering Creedence made albums the style that Elvis or Chuck Drupe would accept in the '50s. You lot know, you record the singles, you let them become hits, and then you slap 'em on an LP. So you lot'd make full out the rest with cover songs and a scattering of deep cuts.
Todd:They weren't trying to brand Sgt. Peppers, is what I'g saying.
Todd (VO): But that criticism only came from the real snobs. They were clearly wrong; those albums are extremely cohesive, they're non only a collection of songs.
Todd: But Mardi Gras absolutely is just a agglomeration of songs slapped together in random gild.
Video for "Sugariness Hitch Hiker"
Todd (VO): I mean, it ends with "Sweet Hitch Hiker"! That'south not a closer, that'southward an opener! No one seems to have whatsoever involvement or care in making this a real album.
Todd: Simply believe it or not, a lot of critics liked it.
Todd (VO): Plenty of big publications gave it decent reviews.Rolling Stone was the but one that really went in hard on it.
Todd: Simply Rolling Stone turned out to be absolutely right; this anthology blows.
Todd (VO): Doug and Stu say that John expected them to run before they could crawl and hung them out to dry, like he was trying to embarrass them. Rolling...
Todd: ...Rock called information technology [air quote] "Fogerty's Revenge."
Footage of CNN interview with John Fogerty
Todd (VO): Fogerty says he wasn't trying to hurt anyone, I don't believe him at all. In any...
Todd: ...case, he sure wasn't trying to make it piece of work.
Todd (VO): I've listened to this anthology a bunch of times now and I still can't remember Doug'due south songs, and I recollect Stu'south songs for all the incorrect reasons. It's a expiry rattle from a group of very unhappy people working against each other rather than together. Everyone in it comes off like an asshole. Doug and Stu say Fogerty'southward a tyrant, Fogerty says they're a couple of talentless ingrates.
Todd: I don't know who's right, simply, yous know what?
Clip of Bruce Springsteen & The E Street Band performing "Celebrity Days"
Todd (VO): Springsteen never has drama with his ring because he is "The Boss." That's his name. Everyone knows who makes the decisions. CCR should've merely named themselves, [image of CCR with caption...] "John Fogerty and the Creedences"...
Todd: ...and information technology would've been clear who was in charge and none of this would've happened.
Prune of VH1: Behind the Music interview
Todd (VO): Creedence never reunited, except for Tom's nuptials and their high school reunion. The hostility never subsided, and in fact, they're all nevertheless suing each other right at present.What a waste matter. What a stupid thought this album was.
Todd: Hey, I've got an idea: Why don't I make my domestic dog write my reviews from now on?
Todd speaks to Amy in his bedroom
Todd (VO): You lot're not pulling your weight, domestic dog! Why do I take to practice all the work? Give me a grand words on the new Eminem album! This is what you wanted, correct? I heard you beggin' at me! That was clearly what yous meant!"
Todd: Pffft.
Video for "Sweet Hitch Hiker" ends
Ending music: Todd plays "Anytime Never Comes" on piano
THE Cease
"Mardi Gras" is owned by Fantasy Records
This video is owned by me
Cheers TO THE LOYAL PATRONS!
| ToddInTheShadows Transcripts | |
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| TPSR 2011: | Top 6 Worst Songs of 2010 (I Didn't Already Comprehend) · Top 10 Best Hit Songs of 2010 · The Fourth dimension (Dirty Bit) · Tonight... · Blackness and Xanthous · Grenade · The Top Ten Worst Hit Songs of 1976 · Firework vs. Born This Mode · S&1000 · Elevation 5 Awful Moments From U2's "Rattle and Hum" · The Lazy Song · ET · Political party Rock Canticle · Give Me Everything · Tonight, Tonight · If I Die Young · Acme 10 Songs Most Mediocre Romance · Moves Like Jagger · Lighters · Sexy and I Know It · 5 O'Clock · Mistletoe |
| TPSR 2012: | The Top X Worst Hit Songs of 2011 · The Tiptop Ten Best Hit Songs of 2011 · Runaway · Just a Kiss · Ni**as in Paris · Turn Up the Music · Drive By · Stronger (What Doesn't Kill You) · Nosotros Are Immature and Somebody That I Used to Know · Back in Time · Call Me Maybe · Payphone · Titanium · Whistle · Desire U Back · Gangnam Manner · The Top Ten Worst Hit Songs of 2004 · We Are Never Ever Getting Back Together |
| TPSR 2013: | The Top Ten Worst Hit Songs of 2012 · The Superlative Ten All-time Hit Songs of 2012 · Mac and Devin Go to Loftier Schoolhouse · Girl on Fire · Little Things · Scream and Shout · Thrift Shop vs. Suit & Tie · Todd and Rap Critic Talk About "Accidental Racist" · Feel This Moment · Cruise · Blurred Lines · We Can't Stop vs. Come & Get It · All-time Song Always · Applause · Holy Grail · Gorilla · Wrecking Brawl · Counting Stars vs. Demons |
| TPSR 2014: | The Top Ten Worst Striking Songs of 2013 · The Top Ten Best Hit Songs of 2013 · Dark Horse · Talk Muddy · Pompeii · All of Me · #selfie · Decline for What · Jerk · Fancy · Rude · Milk shake It Off · All About That Bass · Anaconda · Bang Bang · Blank Infinite |
| TPSR 2015: | The Peak Ten Worst Hit Songs of 2014 · The Top 10 Best Hit Songs of 2014 · Jealous · The Top Ten Worst Hit Songs of 1991 · Thinking Out Loud · Dear Future Married man · See You Again · Watch Me (Whip/Nae Nae) · The Hills · Uma Thurman · What Do You Mean? vs. Stitches · Hello vs. Hotline Bling |
| TPSR 2016: | The Top 10 Worst Hit Songs of 2015 · The Top Ten Best Hitting Songs of 2015 · Distressing · I Took a Pill in Ibiza · vii Years · Pillowtalk · This Is What You Came For vs. Inexpensive Thrills · Care for You Better · Closer · Black Beatles |
| TPSR 2017: | The Superlative Ten Worst Hitting Songs of 2016 · The Top Ten Best Hit Songs of 2016 · Scars to Your Cute · Shape of You · Bad and Boujee · Trunk Like a Back Road · Something Just Similar This · Despacito · I'thousand the One & Wild Thoughts · Look What You Fabricated Me Practise · Thunder/Feel It Still |
| TPSR 2018: | The Top Ten Worst Hit Songs of 2017 · The Top Ten Best Hit Songs of 2017 · Filthy · God's Plan · Freaky Friday · The Middle/Meant to Be · This Is America · Better Now/Lucid Dreams · Girls Similar You · Happier · The Top Ten Worst Hit Songs of 2018 |
| TPSR 2019: | The Top 10 Best Hit Songs of 2018 · Without Me · 7 Rings · Old Town Road · Earth · ME! · I Don't Intendance · You Need to Calm Downward · Don't Phone call Me Angel · Someone You Loved · The Top X Worst Hit Songs of 2019 |
| TPSR 2020: | The Top 10 Best Hit Songs of 2019 · Yummy · Toosie Slide · Trollz · death bed (coffee for your head) · WAP · I Hope · The Tiptop Ten Worst Hit Songs of 2020 |
| TPSR 2021: | The Top Ten All-time Hit Songs of 2020 · drivers license · Montero (Call Me Past Your Name) · Astronaut in the Ocean · Am I the Only One · Fancy Like · The Top Ten Worst Hit Songs of 2021 |
| TPSR 2022: | The Elevation Ten Best Hit Songs of 2021 |
| From the Vaults: | Down · Paparazzi · Party in the USA · Whatcha Say · iii · Suspension Up · Bad Romance · Tik Tok · I Tin can Transform Ya · Top 10 Worst Hit Songs of 2009 · Top 11 All-time Striking Songs of 2009 · Replay · 15 · Do You lot Remember? · We Are the Globe 25 for Haiti · Boulder |
| OHW 2012: | Take On Me · Baby Got Back · Kung Fu Fighting · Come On Eileen · Rico Suave · Achy Breaky Heart · The Safety Dance · Play That Funky Music · Monster Mash · Tubthumping · Grandma Got Run Over by a Reindeer |
| OHW 2013: | Political party All the Time · Endmost Time · Me and Mrs. Jones · It'southward Raining Men · Cotton Eye Joe · Unbelievable · I Ran (So Far Abroad) · I'g Gonna Be (500 Miles) · To Be With You · In-A-Gadda-Da-Vida · Who Let the Dogs Out · Somebody's Watching Me · Smooth Criminal · You Light Up My Life · You lot Spin Me Circular (Like a Record) |
| OHW 2014: | Walking in Memphis · How Bizarre · Float On · Ghetto Supastar · Admittedly (Story of a Girl) · Groove Is in the Heart · Just a Friend · Informer · Hooked on a Feeling · Maniac · Lullaby |
| OHW 2015: | Word Upwardly · Blue (Da Ba Dee) · St. Elmo'due south Fire (Man in Motion) · MMMBop · Turning Japanese · Butterfly · Star Wars Theme/Cantina Ring |
| OHW 2016: | Mickey · Eve of Devastation · Ridin' · I Believe in a Thing Chosen Love · Living in a Box · I Dear You Always Forever · I Bear on Myself · Mexican Radio · One Can Soldier · Overflowing · Beds Are Burning |
| OHW 2017: | Rock Me Amadeus · Video Killed the Radio Star · Freak Like Me · Right Now · In the Summer · Laffy Taffy · Requite It to You lot · I'm Too Sexy · Fire · Rock and Ringlet, Hoochie Koo |
| OHW 2018: | Tic Tac Toe · What Is Love? · Pepper · Scatman (Ski-Ba-Bop-Ba-Dop-Dop) · Missing · Lovefool · She Blinded Me with Science · The Mummers' Dance · Wherever You Volition Go · Never Had a Dream Come True |
| OHW 2019: | Flagpole Sitta · Here Information technology Goes Again · Leap Around · The Night Chicago Died · You Go What You Give · The Hustle · I Beloved College |
| OHW 2020: | Bust a Move · Funkytown · Oh Yes · The Rhythm of the Dark · Are You lot Jimmy Ray? · I Melt with You · Timothy · I Know What Boys Like |
| OHW 2021: | Whoomp! In that location It Is · Return of the Mack · Disco Duck · Bowwow · Confront Down · Mambo No. 5 · Crazy for This Girl |
| OHW 2022: | Love Grows (Where My Rosemary Goes) |
| Cinemadonna: | Desperately Seeking Susan · Shanghai Surprise · A Certain Cede · Who's That Daughter · Bloodhounds of Broadway · Dick Tracy · Truth or Cartel · A League of Their Own · Trunk of Evidence · Dangerous Game · Evita · The Next Best Matter · Swept Away · Die Another Day (And Other Cameos) · Filth and Wisdom · W.Due east. · I'thou Going to Tell You a Secret |
| Trainwreckords: | 0304 · Kilroy Was Hither · The Funky Headhunter · Be Hither Now · Van Halen III · Mardi Gras · Cyberpunk · MTV Unplugged No. 2.0 · American Life · Paula · Cut the Crap · Fairweather Johnson · Summer in Paradise · Zingalamaduni · Two the Difficult Way · Funstyle · St. Anger · Crash · Plough It Upside Down · Passage · Mission Earth · Witness |
| Specials: | Hannah Montana: The Pic · Hannah Montana Guitar Game · MAGfest Vlog · Glitter · MTV Video Music Awards 2011 Vlog · Todd's Black Eyed Peas Experience · Some Quick Thoughts on the Grammys · From Justin to Kelly · Top Ten Groin Shots in Movies · 2013 Grammy Vlog · Burlesque · MTV Video Music Awards 2013 Vlog · 2014 Grammy Vlog · 2015 Grammy Vlog |
Source: https://thatguywiththeglasses.fandom.com/wiki/Mardi_Gras
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